Followers of this blog and my musical releases will know that the American sound-artist Kim Cascone has become both a friend and inspiration over the last few years. I wrote a piece on this blog in 2014 about my experience of a couple of concerts and workshops that I had invited him to present at Leeds Beckett University, and I also made him one of the subjects of the chapter I wrote for Void Front Press’ Sustain//Decay anthology. You can also find my chapter archived online here.
I tend invest most projects I work on with imaginative images: I find the process of working with music conjures symbols, and I explore them – I see how they unfold in parallel with the piece in question. Often the exploration of the symbols becomes so intense that the music almost seems like a by-product of this engrossing internal process. This is the kind of thinking that led me to write texts like Psychogeographia Ruralis, and which is explored in more scholarly terms in The Bright Sound Behind the Sound. Layla and I have also carried these approaches into our work with Hawthonn, which became the other subject of the Sustain//Decay piece. Continue reading