This blog has been a bit quiet of late, although that’s not to say that things haven’t been bubbling away behind the scenes: expect quite a lot of news in June in the form of a new Hawthonn album, our first interview, a new academic paper, and possibly even an art exhibition… or two!
Until then, here’s a little summary of other things that have been going on over the last few months!
First, I’m very honoured that Ben Chasny has created a page dedicated to my Hexadic compositions on his Six Organs of Admittance website. Working with the Hexadic system over the last year or so has been a great experience – whereas much of my early music was (poly)modal, Angelystor and my studies into Josef Hauer have seen me adopting a more atonal language. His book on the Hexadic System fit perfectly into this arc of development. As I explain on the page, I often use transposed versions of each Hexadic field to create two voices. Sometimes these are independent, sometimes they function in terms of melody and harmony.
The pieces on Sorath were all very formally written, exploring various approaches to the system in a fairly methodical way. More recently I’ve been exploring approaches to improvising within a series of Hexadic progressions. To this end, I’ve been writing a little Max for Live patch to help quickly explore Hexadic material and to facilitate swift improvisations on the same. The results have been quite engaging, here’s an example: