This blog has been a bit quiet of late, although that’s not to say that things haven’t been bubbling away behind the scenes: expect quite a lot of news in June in the form of a new Hawthonn album, our first interview, a new academic paper, and possibly even an art exhibition… or two!
Until then, here’s a little summary of other things that have been going on over the last few months!
First, I’m very honoured that Ben Chasny has created a page dedicated to my Hexadic compositions on his Six Organs of Admittance website. Working with the Hexadic system over the last year or so has been a great experience – whereas much of my early music was (poly)modal, Angelystor and my studies into Josef Hauer have seen me adopting a more atonal language. His book on the Hexadic System fit perfectly into this arc of development. As I explain on the page, I often use transposed versions of each Hexadic field to create two voices. Sometimes these are independent, sometimes they function in terms of melody and harmony.
A Hexadic field and centre tones mapped to keyboard.
The pieces on Sorath were all very formally written, exploring various approaches to the system in a fairly methodical way. More recently I’ve been exploring approaches to improvising within a series of Hexadic progressions. To this end, I’ve been writing a little Max for Live patch to help quickly explore Hexadic material and to facilitate swift improvisations on the same. The results have been quite engaging, here’s an example:
Larkfall 